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    <lastmod>2026-03-26</lastmod>
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      <image:title>Home - Spring 2026 Program Calendar - Make it stand out</image:title>
      <image:caption>Robert Irwin, Beacon Project (detail), 1999–2003. © Robert Irwin/Licensed by Artists Rights Society (ARS), New York. Photo: Ken Goebel</image:caption>
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    <lastmod>2026-03-25</lastmod>
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      <image:title>Home - Winter 2026 Program Calendar - Make it stand out</image:title>
      <image:caption>A conversation with Tehching Hsieh, Adrian Heathfield, and Humberto Moro, with special guest Linda Montano, Dia Beacon, October 4, 2025. Photo: Mollie McKinley</image:caption>
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      <image:title>Home - Revisiting Dia Beacon’s Iconic Lower-Level Gallery - Make it stand out</image:title>
      <image:caption>Dia Beacon’s basement before renovation, 1999. Photo: Michael Govan</image:caption>
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      <image:title>Home - Revisiting Dia Beacon’s Iconic Lower-Level Gallery - Make it stand out</image:title>
      <image:caption>Tehching Hsieh, One Year Performance 1978–1979 (Cage Piece), 1978–79. Tehching Hsieh: Lifeworks 1978–1999, installation view, Dia Beacon, New York, 2025–27. © Tehching Hsieh. Photo: Bill Jacobson Studio, New York</image:caption>
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      <image:title>Home - Revisiting Dia Beacon’s Iconic Lower-Level Gallery - Make it stand out</image:title>
      <image:caption>Steve McQueen, Bass, 2024. Installation view, Dia Beacon, New York, 2024–25. © Steve McQueen. Photo: Bill Jacobson Studio, New York</image:caption>
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      <image:title>Home - Revisiting Dia Beacon’s Iconic Lower-Level Gallery - Make it stand out</image:title>
      <image:caption>Joan Jonas, The Shape, the Scent, the Feel of Things, 2004. Installation view, Dia Beacon, Beacon, New York, 2021–23. © Joan Jonas/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York</image:caption>
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      <image:title>Home - Revisiting Dia Beacon’s Iconic Lower-Level Gallery - Make it stand out</image:title>
      <image:caption>Dan Flavin, untitled (to you, Heiner, with admiration and affection), 1973. Installation view, Dia Beacon, New York. © Stephen Flavin/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York</image:caption>
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      <image:title>Home - Revisiting Dia Beacon’s Iconic Lower-Level Gallery - Make it stand out</image:title>
      <image:caption>Carl Craig: Party/After-Party, installation view, Dia Beacon, New York, 2021–21. © Carl Craig. Photo: Bill Jacobson Studio, New York</image:caption>
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    <loc>https://www.diaart.blog/home/fall-2025-program-calendar</loc>
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    <lastmod>2026-01-23</lastmod>
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      <image:title>Home - Fall 2025 Program Calendar - Make it stand out</image:title>
      <image:caption>Duane Linklater, kitaskînaw_kitaskînawâw (every indian I know hates that song), 2025. Installation view, Dia Chelsea, New York, 2025–26. © Duane Linklater. Photo: Don Stahl</image:caption>
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    <lastmod>2025-06-06</lastmod>
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      <image:title>Home - Pedagogies of Site Fellowship | Field Notes from the Fellows</image:title>
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      <image:title>Home - Pedagogies of Site Fellowship | Field Notes from the Fellows</image:title>
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      <image:title>Home - Pedagogies of Site Fellowship | Field Notes from the Fellows</image:title>
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      <image:title>Home - Pedagogies of Site Fellowship | Field Notes from the Fellows</image:title>
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      <image:title>Home - Pedagogies of Site Fellowship | Field Notes from the Fellows</image:title>
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    <lastmod>2025-01-16</lastmod>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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      <image:title>Home - Activations: Rec, Center, Stage | Salome Oggenfuss and Stephen Kwok in conversation</image:title>
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    <loc>https://www.diaart.blog/home/artistplaylists-tonycokes</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-09</lastmod>
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      <image:title>Home - Artist Playlists: “Trouble…” by Tony Cokes</image:title>
      <image:caption>Photo: Don Stahl</image:caption>
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    <loc>https://www.diaart.blog/home/the-making-of-chryssaa-and-new-york</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-16</lastmod>
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      <image:title>Home - The Making of Chryssa &amp;amp; New York - Make it stand out</image:title>
      <image:caption>Chryssa &amp; New York, installation view, Dia Chelsea, New York, 2023. © Estate of Chryssa, National Museum of Contemporary Art, Athens (EMST). Photo: Don Stahl</image:caption>
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      <image:title>Home - The Making of Chryssa &amp;amp; New York - Chryssa, New York, 1985. Eleni Mylonas Archive and The Museum of Modern Art Archives Image Database (MAID). © Eleni Mylonas 1982–2022. All rights reserved</image:title>
      <image:caption>Chryssa, New York, 1985. Eleni Mylonas Archive and The Museum of Modern Art Archives Image Database (MAID). © Eleni Mylonas 1982–2022. All rights reserved</image:caption>
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    <lastmod>2025-01-16</lastmod>
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      <image:title>Home - The utility of editing, editing as a utensil—Alan Martín Segal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - The utility of editing, editing as a utensil—Alan Martín Segal</image:title>
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      <image:title>Home - The utility of editing, editing as a utensil—Alan Martín Segal</image:title>
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      <image:title>Home - The utility of editing, editing as a utensil—Alan Martín Segal</image:title>
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  <url>
    <loc>https://www.diaart.blog/home/activations-stella-zhong-at-chelsea-recreation-center-rg5ga</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-16</lastmod>
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      <image:title>Home - Activations: Stella Zhong at the Chelsea Recreation Center - Make it stand out</image:title>
      <image:caption>Photo: Don Stahl</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e7e49d534de306c2b7f7041/f38bd6c6-69bc-48b7-8870-0ec9b52af200/IMG_1013.JPG</image:loc>
      <image:title>Home - Activations: Stella Zhong at the Chelsea Recreation Center - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e7e49d534de306c2b7f7041/3c9958ab-7060-416f-9eb9-19baae8a4929/IMG_1027.JPG</image:loc>
      <image:title>Home - Activations: Stella Zhong at the Chelsea Recreation Center - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e7e49d534de306c2b7f7041/5a70bd66-6d51-483e-acb9-43064635505d/bb013b2e12df3e157ecdbb0265d9e85f.jpg</image:loc>
      <image:title>Home - Activations: Stella Zhong at the Chelsea Recreation Center - Make it stand out</image:title>
      <image:caption>Pipilotti Rist, Selbstlos im Lavabad, MoMA PS1</image:caption>
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    <image:image>
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      <image:title>Home - Activations: Stella Zhong at the Chelsea Recreation Center - Make it stand out</image:title>
      <image:caption>Sarah Sze, Seamless, 1999, Tate Modern</image:caption>
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      <image:title>Home - Activations: Stella Zhong at the Chelsea Recreation Center - Make it stand out</image:title>
      <image:caption>Stella Zhong, studio shot, 2022</image:caption>
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    <image:image>
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      <image:title>Home - Activations: Stella Zhong at the Chelsea Recreation Center - Make it stand out</image:title>
      <image:caption>Photo: Don Stahl</image:caption>
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  <url>
    <loc>https://www.diaart.blog/home/interviewwithrm-yxl5f</loc>
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    <lastmod>2025-01-16</lastmod>
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      <image:title>Home - Dia Art Foundation is now on Bloomberg Connects&amp;nbsp;</image:title>
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      <image:title>Home - Dia Art Foundation is now on Bloomberg Connects&amp;nbsp; - The Bloomberg Connects app is available for download from Google Play or the App Store, or by scanning the QR code here.</image:title>
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    <loc>https://www.diaart.blog/home/interviewwithrm</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-16</lastmod>
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      <image:title>Home - An Interview with RM at Dia Beacon</image:title>
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      <image:title>Home - An Interview with RM at Dia Beacon</image:title>
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    <lastmod>2025-01-16</lastmod>
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      <image:title>Home - A Tour of Dia Artists Featured in RM’s Live Performance at Dia Beacon - Make it stand out</image:title>
      <image:caption>Dia Beacon, Riggio Galleries, Beacon, New York. Photo: Bill Jacobson Studio, New York, courtesy Dia Art Foundation, New York</image:caption>
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      <image:title>Home - A Tour of Dia Artists Featured in RM’s Live Performance at Dia Beacon - Make it stand out</image:title>
      <image:caption>Dia Beacon, Riggio Galleries, Beacon, New York. Photo: Bill Jacobson Studio, New York, courtesy Dia Art Foundation, New York</image:caption>
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      <image:caption>Dan Flavin, untitled (to you, Heiner, with admiration and affection), 1973. Dia Art Foundation; Gift of Louise and Leonard Riggio. © Stephen Flavin/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Sal Aguilera, on his first visit to Dia Beacon, in Bruce Nauman’s Corridor Installation (Nicholas Wilder Gallery, Los Angeles, California), 1970. Photo: Sal Aguilera</image:caption>
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      <image:caption>Photo: Sandra Brewster. Courtesy Sandra Brewster</image:caption>
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      <image:caption>Image: Nadia Myre, Orison #1. Album art. Courtesy Nadia Myre</image:caption>
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      <image:caption>Diller + Scofidio, Refresh (detail), 1998– . Collection of the artists, commissioned by Dia Art Foundation for the Artist Web Projects series. © Diller + Scofidio</image:caption>
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      <image:caption>middle ground: raphael zollinger, welcome II (detail), 2006. installation view, sculpture park, pratt institute, brooklyn</image:caption>
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      <image:caption>Photo: Don Stahl</image:caption>
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      <image:caption>Courtesy Jolisa (2020), Dia Teen 2019 to present.</image:caption>
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      <image:caption>Image courtesy Krista Franklin</image:caption>
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      <image:caption>Image courtesy Krista Franklin</image:caption>
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      <image:caption>From “Constructing a Theory &amp; Practice of Black Quantum Futurism: Part One” by Rasheedah Phillips, Black Quantum Futurism: Theory &amp; Practice, Volume 1. Photo: Krista Franklin</image:caption>
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      <image:caption>Artwork created by Jolisa for Dia Teens. Photo: Jolisa Podolsky</image:caption>
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      <image:caption>Photo: Qasi Skalky</image:caption>
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      <image:title>Home - Behind the Scenes with Mina Barden, Gale Griffiths, and Qasi Skalky, Gallery Attendants, Dia Beacon</image:title>
      <image:caption>Photo: Mina Barden</image:caption>
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      <image:title>Home - Behind the Scenes with Mina Barden, Gale Griffiths, and Qasi Skalky, Gallery Attendants, Dia Beacon</image:title>
      <image:caption>Gale Griffiths in front of the Philadelphia Museum of Art as a young girl. Photo: Gale Griffiths</image:caption>
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      <image:caption>Mina Barden performing during a Thursday Session at Dia Beacon. Photo: Daniel Oates-Kuhn</image:caption>
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      <image:caption>Image: Sam Falls</image:caption>
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      <image:caption>Photo: Nick Mauss and Ken Okiishi</image:caption>
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    <loc>https://www.diaart.blog/home/danyelebrownondeedsforairs</loc>
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    <lastmod>2020-11-11</lastmod>
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      <image:caption>Image: Tuere Lawton</image:caption>
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    <loc>https://www.diaart.blog/home/earthroomreopening</loc>
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    <lastmod>2020-10-09</lastmod>
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      <image:title>Home - Walter De Maria’s &lt;em&gt;The New York Earth Room&lt;/em&gt; (1977) Reopens</image:title>
      <image:caption>Walter De Maria, The New York Earth Room, 1977. © Estate of Walter De Maria. Photo: John Cliett</image:caption>
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      <image:title>Home - Walter De Maria’s &lt;em&gt;The New York Earth Room&lt;/em&gt; (1977) Reopens</image:title>
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      <image:title>Home - Walter De Maria’s &lt;em&gt;The New York Earth Room&lt;/em&gt; (1977) Reopens</image:title>
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      <image:title>Home - Walter De Maria’s &lt;em&gt;The New York Earth Room&lt;/em&gt; (1977) Reopens</image:title>
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      <image:title>Home - Walter De Maria’s &lt;em&gt;The New York Earth Room&lt;/em&gt; (1977) Reopens</image:title>
      <image:caption>Press release, Walter De Maria, The New York Earth Room, 1977. Courtesy of Dia Art Foundation Archives.</image:caption>
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    <loc>https://www.diaart.blog/home/artistplaylistsmvcarbon</loc>
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    <lastmod>2020-09-29</lastmod>
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      <image:caption>Photo: MV Carbon</image:caption>
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    <loc>https://www.diaart.blog/home/goodbyedreamland</loc>
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    <lastmod>2020-09-25</lastmod>
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      <image:title>Home - Goodbye Dreamland</image:title>
      <image:caption>Photo: Kaitlin Gladney</image:caption>
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  <url>
    <loc>https://www.diaart.blog/home/brokenkilometerreopening</loc>
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    <lastmod>2020-10-09</lastmod>
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      <image:title>Home - Walter De Maria’s &lt;em&gt;The Broken Kilometer&lt;/em&gt; (1979) Reopens</image:title>
      <image:caption>Walter De Maria, The Broken Kilometer, 1979. © The Estate of Walter De Maria. Photo: Jon Abbott</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e7e49d534de306c2b7f7041/1600227164335-ZFKBL5UHD52OUBYSWEQV/Screen+Shot+2020-09-15+at+11.32.14+PM.png</image:loc>
      <image:title>Home - Walter De Maria’s &lt;em&gt;The Broken Kilometer&lt;/em&gt; (1979) Reopens</image:title>
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    <image:image>
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      <image:title>Home - Walter De Maria’s &lt;em&gt;The Broken Kilometer&lt;/em&gt; (1979) Reopens</image:title>
      <image:caption>Press release, Walter De Maria, The Broken Kilometer, 1979. Courtesy of Dia Art Foundation Archives.</image:caption>
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    <loc>https://www.diaart.blog/home/betweenthescenesdanieloateskuhn</loc>
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    <lastmod>2021-06-15</lastmod>
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      <image:title>Home - Behind the Scenes with Daniel Oates-Kuhn, Assistant Manager of Visitor Services</image:title>
      <image:caption>Photo: Daniel Oates-Kuhn</image:caption>
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      <image:title>Home - Behind the Scenes with Daniel Oates-Kuhn, Assistant Manager of Visitor Services</image:title>
      <image:caption>Photo: Daniel Oates-Kuhn</image:caption>
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      <image:title>Home - Behind the Scenes with Daniel Oates-Kuhn, Assistant Manager of Visitor Services</image:title>
      <image:caption>Photo: Daniel Oates-Kuhn</image:caption>
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      <image:title>Home - Behind the Scenes with Daniel Oates-Kuhn, Assistant Manager of Visitor Services</image:title>
      <image:caption>Photo: Daniel Oates-Kuhn</image:caption>
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      <image:title>Home - Behind the Scenes with Daniel Oates-Kuhn, Assistant Manager of Visitor Services</image:title>
      <image:caption>Photo: Daniel Oates-Kuhn</image:caption>
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    <loc>https://www.diaart.blog/home/diapublicationsspotlightthelightningfield</loc>
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    <lastmod>2020-08-24</lastmod>
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      <image:title>Home - Dia Publications Spotlight: &lt;em&gt;Walter De Maria: The Lightning Field&lt;/em&gt;</image:title>
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      <image:title>Home - Dia Publications Spotlight: &lt;em&gt;Walter De Maria: The Lightning Field&lt;/em&gt;</image:title>
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      <image:title>Home - Dia Publications Spotlight: &lt;em&gt;Walter De Maria: The Lightning Field&lt;/em&gt;</image:title>
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      <image:title>Home - Dia Publications Spotlight: &lt;em&gt;Walter De Maria: The Lightning Field&lt;/em&gt;</image:title>
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      <image:title>Home - Dia Publications Spotlight: &lt;em&gt;Walter De Maria: The Lightning Field&lt;/em&gt;</image:title>
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  <url>
    <loc>https://www.diaart.blog/home/groupmaterialdemocracy</loc>
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    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
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      <image:title>Home - &lt;strong&gt;Group Material, &lt;em&gt;Democracy&lt;/em&gt;,&lt;em&gt; &lt;/em&gt;1988–89&lt;/strong&gt;</image:title>
      <image:caption>Group Material, Democracy: Education and Democracy, installation view, 77 Wooster Street, New York City, September 14–October 8, 1988. © Group Material. Photo: Ken Schles</image:caption>
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      <image:title>Home - &lt;strong&gt;Group Material, &lt;em&gt;Democracy&lt;/em&gt;,&lt;em&gt; &lt;/em&gt;1988–89&lt;/strong&gt;</image:title>
      <image:caption>Group Material, Democracy: AIDS and Democracy; A Case Study, installation view, 77 Wooster Street, New York City, December 17, 1988–January 14, 1989. © Group Material. Photo: Ken Schles</image:caption>
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      <image:title>Home - &lt;strong&gt;Group Material, &lt;em&gt;Democracy&lt;/em&gt;,&lt;em&gt; &lt;/em&gt;1988–89&lt;/strong&gt;</image:title>
      <image:caption>Group Material, Democracy: Cultural Participation, installation view, 77 Wooster Street, New York City, November 19–December 10, 1988. © Group Material. Photo: Ken Schles</image:caption>
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    <loc>https://www.diaart.blog/home/artistplaylistsisabellewis</loc>
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    <lastmod>2020-08-07</lastmod>
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    <loc>https://www.diaart.blog/home/spotlightsusanhiller</loc>
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    <lastmod>2020-07-29</lastmod>
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      <image:title>Home - Artist Web Projects Spotlight: Mike Schuh Reflects on Susan Hiller, &lt;em&gt;Dream Screens&lt;/em&gt;, 1996</image:title>
      <image:caption>Susan Hiller, Dream Screens (detail), 1996– . Collection of the artist, commissioned by Dia Art Foundation for the Artist Web Projects series. © Susan Hiller</image:caption>
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    <loc>https://www.diaart.blog/home/flora-philia</loc>
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      <image:caption>Diana Mangaser, Unknown Polypody, 2020. Photo: Courtesy the artist</image:caption>
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    <loc>https://www.diaart.blog/home/behindthescenesrandygibson</loc>
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      <image:caption>Randy Gibson singing his Apparitions of The Four Pillars in The Midwinter Starfield Symmetry under The 72:81:88 Confluence in a setting of Quadrilateral Starfield Symmetry A:L Base 11:273 - 2016 - photo by Steven Pisano for Avant Media</image:caption>
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      <image:title>Home - Behind the Scenes with Randy Gibson, Exhibitions Associate</image:title>
      <image:caption>Meaghan Burke performing in Randy Gibson’s Apparitions of The Four Pillars in The Midwinter Starfield Symmetry under The 72:81:88 Confluence in a setting of Quadrilateral Starfield Symmetry A:L Base 11:273 - 2016 - photo by Steven Pisano for Avant Media</image:caption>
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      <image:caption>Randy Gibson’s Rational Wedge 7:8:9 (Double Black) - 2019 - Oil and Graphite on Reclaimed Linen</image:caption>
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      <image:caption>TIGUE performing Randy Gibson’s The Four Pillars Appearing from The Resonating Discs invoking The 72:81:88 Confluence in a setting of Quadrilateral Starfield Symmetry ATS4 Base 6:81 - 2017 - Photo by Charles Ludeke</image:caption>
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    <lastmod>2020-07-06</lastmod>
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      <image:title>Home - Smithson Is Elsewhere: Robert Smithson at the University of Utah</image:title>
      <image:caption>University of Utah historical faculty files, Acc. 526, Box 143. University Archives and Records Management. University of Utah, J. Willard Marriott. Salt Lake City, Utah</image:caption>
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    <loc>https://www.diaart.blog/home/artistplaylistslyleashtonharrisricowashington</loc>
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      <image:caption>Komar &amp; Melamid, The Most Wanted Paintings (detail), 1995– . Collection of the artists, commissioned by Dia Art Foundation for the Artist Web Projects series. © Komar &amp; Melamid</image:caption>
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